The Making of Schlock Mercenary

Note: This page describes the process as it stood in late 2000. Things have changed a bit, and I'll eventually update this page to reflect that, but not today. Enjoy this piece of ancient history.

Hi there, Schlock fans (and hi to everyone else, too). If you are here, it's because you clicked on a link to find out how I create Schlock Mercenary, the online comic strip.

I developed my process after reading Bill Amend's tutorial, and refined it after realizing that there are some things I just don't have time to do. The strip is hand-drawn, but I do take an occasional shortcut (I don't hand-letter), for instance. Here's my process:

  1. I script the strip as a Microsoft Word document, using outlined text boxes for the panels, and no-line text boxes for the dialog text. I built an MS Word 2000 template for this, so that the logo, URL, and copyright information are always there. I use several different fonts (I use to use MS Comic Sans exclusively, but no more!) for that "hand-lettered" feel, and occasionally use the word-art tool to do big effect-type words (e.g. "BOOM").

  2. I print the document on 8 1/2" x 14" laser-printer paper (legal size), and haul it upstairs to the kitchen table. So far I've probably spent 15 minutes on the strip. More if the text needed some serious word-smithing.

  3. Now I begin pencilling up at the kitchen table. Most of my lines are free-handed, but I do use a circle template for architecting the heads. I use .5mm HB leads in a mechanical pencil that I brought home from work one day ("better living through stealing office supplies"--Scott Adams). This process takes about 20-30 minutes for the average daily strip, and can take an hour or more for a 3-row Sunday. Click here to see a scan of a pencil-only Schlock Mercenary strip.

  4. Once I'm happy with the pencil sketch, I start inking. If I were a "real" cartoonist, I'd use a brush. Instead, I use architect pens. They have great nibs, and lay down archive-quality ink. I got the Staedtler set with four sizes of black pens. I ink over the pencil lines, usually with the #3 pen, and draw the dialog bubbles with the #7.

  5. Time for the eraser. I use a kneaded eraser to get rid of the pencil lines. Because I used good ink, the ink stays on the page when I erase.

  6. When I'm done, I scrawl my extended initials (that's "HoTay," for those of you who care) in a convenient bit of white space. Steps 4, 5, and 6 usually take me 25 to 35 minutes. If I make mistakes in the ink (hey, man--it happens to the best of us. Just ask Bill Amend) I use some white-out to cover them, and then ink over that to repair the damage (always white-out AFTER erasing--I've made smeary white messes more than once). Click here to see a scan of the final, inked strip.

  7. Once I have a few strips ready to go, I head back downstairs to my computer and start scanning. The scanning (about 250dpi, or 333% original size) and file massage (rotate, change color depth, crop) takes less than 5 minutes per strip, and I usually do it while reading my email.

  8. Finally, I color. I use a 256 color palette in LViewPro (which I paid a whole $30 for), and mostly do simple area fills, No gradients (LView won't let you do them with a small palette), nothing fancy. Just area fills. Then I boost the color depth to True Color and resize the image (the depth boost ensures that the resize will include a resample, for smoother edges). Finally, I save it out as a GIF and upload it. Where possible, I reduce the palette to 128 colors (for an additional 10% shave off the byte-size).